This is an original tune I recently composed for B11 tuning. Hope you like it!
Attention C6 players: B11 is an easy re-tune from C6 tuning. Just tune your C up to C# and drop strings 4, 5, 6 a half-step each.
The tablature: When four strings are played together, strum the bottom three strings in the voicing with the thumb and pick the top string in the voicing with a finger at the same time. That makes the high note (the melody) stand out. Notice in measure two that the bar is on fret 1 covering strings 2, 3, 4 and string 1 is played open. Enjoy!
Here’s an easy version of Scarborough Fair in the key of Am. 3/4 time. Much of it is played using the open strings. When an open string and a “barred” string are played together you need to lift the rear of the bar up to allow the open string to be heard and touch the nose of the bar to the other string. Tip the bar up and use the nose only. That happens in measures 3, 6, 11, 15, 16. No audio for this one. I think you know this tune. Enjoy
E9 Pedal Steel Guitar Solo – Invitation to the Blues
This is a demo I recorded a few years ago. I’m playing an Emmons push/pull student model on the recording. I was selling the guitar at the time and I needed a quick recording to demonstrate the sound. A lot of players were interested in the solo and the ending so I tabbed them out. The Solo starts at 1:09 in the audio below. The ending starts at 2:11.
TABLATURE – Solo: click on images to enlarge, E = lower E to D#
B11 is rich in 9th and 7th chords and works especially well for Hawaiian songs. It’s a combination tuning. Part of it is A6 and the other part is B7, B9, B11. There are a few variations of the tuning. The 8-string version I’m discussing here is (high to low) E, C#, A, F#, D#, C#, B, A. The 6-string version is an easy re-tune from C6 tuning. (high to low) E, C#, A, F#, D#, C# (or B).
8-string B11 tuning
Strings 1 through 4 are an A6 chord. The middle strings (omit string 1) are B9 (and B, B7, B11).
Fret 2 is B6, and Open is B9. Whatever 6th chord you are playing, just drop back two frets for the 7th or 9th chord. For example, A6 on fret 12 (strings 1 through 4), drop back to fret 10 and play the middle strings (omit string 1) for A9. That big 9th chord is the signature sound heard in Hawaiian songs like “How D’ya Do” and “Sand”.
The chart below shows some of the open chord positions, with root note A, root note F#, and root note B. There are other open chords that I left off the chart… diminished chord on strings 3, 4, 5. Also Am6, flat 5, Aadd2, etc.
This is an original instrumental of mine. The tuning is C6/A7… a combination tuning. The tuning has a full C6 chord and a full A7 chord. (high to low) E, C, A, G, E, C# The tune features a lot of hammer-ons and pull-offs, and pick blocking. Enjoy