E9 Pedal Steel Guitar Solo – Invitation to the Blues
This is a demo I recorded a few years ago. I’m playing an Emmons push/pull student model on the recording. I was selling the guitar at the time and I needed a quick recording to demonstrate the sound. A lot of players were interested in the solo and the ending so I tabbed them out. The Solo starts at 1:09 in the audio below. The ending starts at 2:11.
TABLATURE – Solo: click on images to enlarge, E = lower E to D#
B11 is rich in 9th and 7th chords and works especially well for Hawaiian songs. It’s a combination tuning. Part of it is A6 and the other part is B7, B9, B11. There are a few variations of the tuning. The 8-string version I’m discussing here is (high to low) E, C#, A, F#, D#, C#, B, A. The 6-string version is an easy re-tune from C6 tuning. (high to low) E, C#, A, F#, D#, C# (or B).
8-string B11 tuning
Strings 1 through 4 are an A6 chord. The middle strings (omit string 1) are B9 (and B, B7, B11).
Fret 2 is B6, and Open is B9. Whatever 6th chord you are playing, just drop back two frets for the 7th or 9th chord. For example, A6 on fret 12 (strings 1 through 4), drop back to fret 10 and play the middle strings (omit string 1) for A9. That big 9th chord is the signature sound heard in Hawaiian songs like “How D’ya Do” and “Sand”.
The chart below shows some of the open chord positions, with root note A, root note F#, and root note B. There are other open chords that I left off the chart… diminished chord on strings 3, 4, 5. Also Am6, flat 5, Aadd2, etc.
This is an original instrumental of mine. The tuning is C6/A7… a combination tuning. The tuning has a full C6 chord and a full A7 chord. (high to low) E, C, A, G, E, C# The tune features a lot of hammer-ons and pull-offs, and pick blocking. Enjoy